The Marvel Prophet: I Publish Marvel Comics

Chapter 24: The Bold Move of Marvel – Drawing Tony Stark?**



Here's an expanded version of Chapter 24, extended to approximately 1000 words:

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**Chapter 24:**

"So cool!"

The boy's eyes were immediately drawn to the vibrant cover of the comic book. His curiosity piqued, he eagerly flipped to the first page, and what he saw made his jaw drop in astonishment.

"Tony Stark?"

The comic panels depicted a scene where a Black man, dressed in a military uniform with a colonel's rank on his shoulders, was searching the room for Tony Stark, clutching a trophy meant for him. Tony, who had been expected to be there to accept the award, was conspicuously absent. The colonel maintained an awkward smile as a bearded man took the stage to accept the accolade on Tony's behalf.

As the story unfolded, it transitioned into Tony Stark's extravagant lifestyle—his iconic goatee, that infamous cocky smile, the one-night stands with reporters, and his far-flung travels to sell arms. The scenes were a vivid portrayal of the billionaire playboy's world, a world of opulence and excess. One panel depicted Tony demonstrating his missile, surrounded by awe-struck onlookers. The excitement was palpable as Tony reveled in their admiration. In the next scene, Tony was seated in a military vehicle, surrounded by flattered sycophants. The dialogue hinted that these were the moments they would brag about for the rest of their lives.

However, the portrayal was not all admiration. Tony, despite the grandeur, appeared detached and bored, his mind seemingly elsewhere. The tone of the comic shifted dramatically when a bomb exploded near his convoy. The subsequent panels depicted Tony lying on the ground, covered in blood, his fate hanging in the balance.

And then, the words "To be continued" appeared, signaling the end of the first volume of *Iron Man*.

The boy's eyes widened as he absorbed the final scene. "My God! Is Marvel out of their minds? They actually dared to draw Tony Stark!"

A chorus of voices erupted around him. "No way, maybe they just based the character loosely on him?"

"Are you kidding? Didn't you read the character introduction? They've detailed Tony Stark's height, age, and identity! It's totally him!"

"Jason Walker must be crazy!"

"Yeah, the art is impressive, but this feels like Tony Stark's unauthorized biography. It doesn't even have the same appeal as *Captain America*."

"Exactly! Is Marvel really risking everything just to take a shot at Tony Stark? It seems personal."

"Jason Walker's lost it. If he can't come up with new ideas, he doesn't need to go down this route. If Tony Stark sues Marvel for infringement, the whole company could go under!"

"And what about the mech on the cover? Was that just for show?"

"Tony Stark isn't some charity case—he's going to sue the hell out of Jason Walker, and he'll win, no doubt."

"*Captain America* was one of the best comics I've ever read. It's such a waste of Jason Walker's talent!"

"Who would've thought? He could've just kept drawing *Captain America* comics, but he had to go and do this!"

"Creating *Iron Man* was one thing, but making it so obviously about Tony Stark? It's career suicide!"

The buzz around Marvel's latest comic wasn't limited to the fans. Media outlets were quick to pick up on the controversy, with headlines appearing across various news platforms:

"Marvel's Jason Walker's New Comic *Iron Man* Boldly Features Tony Stark—Was Stark's Permission Granted? If Not, This Could Be a Legal Disaster!"

"Reports Suggest Marvel Didn't Get Tony Stark's Approval—Stark Industries Ready to Sue!"

"Jason Walker, Creator of the Beloved *Captain America*, Could Face Dire Consequences for His Arrogance!"

"Marvel's Meteoric Rise Might Be Over as *Iron Man* Risks Everything!"

The media frenzy was relentless. News anchors speculated about the potential fallout, discussing legal experts' opinions and debating the implications for Marvel. Online forums and social media platforms were abuzz with heated discussions. Fans and critics alike weighed in, their opinions ranging from outrage to disbelief.

"Did Jason Walker really think he could get away with this?" one commentator posted on a popular forum. "This isn't just a risky creative decision; it's a blatant legal misstep."

Another user added, "Marvel's always been bold, but this is beyond the pale. If Tony Stark takes legal action, it could be the end of Marvel as we know it."

The controversy extended beyond just fans and media. Industry insiders began to speculate about the ramifications for Marvel's future. Investors and analysts expressed concern over the potential for a significant financial loss if Stark Industries pursued legal action.

"Marvel's financial stability hinges on the success of its flagship titles," one financial analyst noted. "A lawsuit from Tony Stark could cripple the company, especially if they're found to be in the wrong."

In boardrooms and legal offices, discussions were held about the possible outcomes. Would Marvel be forced to pull the comic from circulation? Would Jason Walker face legal repercussions? The potential fallout was significant, and the stakes were high.

As the noise grew louder, the general consensus was clear: Jason Walker was in big trouble, and Marvel might not survive this.

The comic book industry was abuzz with speculation. The controversy surrounding *Iron Man* was more than just a case of creative rivalry; it was a potential legal debacle that could alter the course of Marvel's future. Fans watched eagerly, waiting to see how the situation would unfold. Would Tony Stark take action, and if so, what would be the outcome? The next few weeks promised to be filled with drama and uncertainty.


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