A New Year's letter to book friends
I didn't expect that it would be another New Year's letter so soon.
A year has passed, and this book still hasn't broken through 500,000 words. I'm so ashamed. I'm so lazy.
The performance of this book is very bad, partly because of the update, but I didn't get better when I updated it well before, and because of practical reasons, I can only start to let the update go badly.
But I will definitely continue to write until the book is finished. It is expected that the number of words in the finished book will not be less than two million, and may be more than three million.
The plot of the dungeon has always been a whole, so the main thread must be sorted out before opening the dungeon. If you find that there are places that are not considered in the middle of writing, you have to change the plot, which makes it difficult to produce the text.
Book friends will criticize the plot of some books for lowering intelligence, but in fact, writing good logic is far from that simple. Because the author has a God's perspective and can know the direction of the plot, when writing, he will ignore the logic of the characters in order to achieve a certain plot purpose.
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To write a good logic, the author must abandon the God's perspective, substitute into the role, and judge the next move based on the current situation and personality. This is not an easy task. The author is almost split into several roles, which can be called a writing version of a role-playing game.
When I write, apart from the general plot direction, world view setting, and character setting, there is no detailed outline. This leads to the development of the plot, sometimes there will be branches, which is beyond my original expectations.
Although this is very interesting, it seriously slows down the writing speed.
If I write a routine article for novices, then I can do it easily. I have seen all kinds of routines. Unfortunately, I am still very serious about this book (laughs).
This book is also mixed with my exploration of writing style, cool points, and settings.
So the writing style sometimes seems a bit erratic, sometimes it is teasing, and sometimes it is as cold as explanatory writing. In fact, the latter is the style I am better at.
I am actually not very clear about what the cool point is, and I will not intentionally shape this aspect later.
The world view behind this book should be considered huge. If I have a new book in the future, the world view will also be inherited, but I can't pour it out all at once, I can only integrate it into the deep background of each copy. The world view that this ongoing copy carries is quite important, even more important than the core gameplay.
In terms of characters, Wei Miao is a mixed evil (middle) person, and the role she plays must have some fits with her personality. I have also prepared some interesting roles to play.
It doesn't matter whether it saves the world or destroys the world. Wei Miao cares more about what she can get from it.
Let's talk about something off topic. In many books, the protagonists are always going to defy the heavens and kill gods, but if gods are really so easy to kill, how can they be called gods? They have lived for countless years, seen countless geniuses, and are also extraordinary and brilliant people. If they are easily killed, then they are just stronger people, not gods.
This is the basic concept of gods in this book.
Here, I would like to thank the head of Ling Feifei for his rewards and feeding, as well as all the protectors, hall masters, helmsmen, and all the book friends who support me! I will remember every recommendation, monthly ticket, reward, and comment from you!
Wei Miao can come all the way here, it is inseparable from your support!
She will continue to walk unswervingly until the end.
In the new year, I wish me to be diligent in writing, and I wish all book friends good luck and safety!
PS: This chapter is an Easter egg chapter, and there are activity rewards for barrage interaction.