NOVEL NEXT Easy Tycoon
Chapter 341 Old Furniture in the Warehouse
Chapter 341 Old Furniture in the Warehouse
"Host, please note that although I can guide most of the things for you, there are some unique things that I can't do anything about, such as things like the Jade Seal of the Kingdom. So when the host chooses old objects, once they appear For irreconcilable contradictions, I will still warn you, and I hope you will also pay attention to this!"
It seems that some things are still unacceptable, but at least this condition has been relaxed a lot.
As for the legendary things like Chuanguo Yuxi, hehe. Anyway, Yang Jing doesn't even dare to think about it now!
The loopholes in the speculation were not fully established. To be honest, this situation somewhat disappointed Yang Jing.
But it's relieved to think about it. The holy ring once said that although the original owner who made it lived in a globally unified environment, the owner must have thought of the issue of nationality, otherwise he would not A "territorial" rule appears. (PS: Chapter 192 has explanations about regionalism, so I won’t go into details here.)
Since there are even "regional" rules, it means that the original owner of the Holy Ring must have considered this issue, but it should be that the consideration is not perfect, so that there is a loophole that is not considered a loophole.
However, although this loophole has not been proved to be fully established, the current appearance is not a little bit stronger than before.
In the past, as long as there were old objects that might cause a space-time paradox, let alone acquisitions, Yang Jing would hide as far away as possible, and even spent a lot of experience to implement the big plan that he made before, and most of them It is all done by foreigners, and the fear is that it will cause a space-time paradox.
But now that he has become a foreigner, the possibility of the space-time paradox being triggered is greatly reduced.Although it is impossible to buy those old objects without any scruples, at least it can give myself a choice.
For example, this Baibao Embedded Arhat Bed.If it was before, it would be as far away as possible, this thing can definitely cause a space-time paradox.
But now, the holy ring only consumed a part of the energy, leading to another almost identical arhat bed inlaid with hundreds of treasures, so he bought this arhat bed himself, and asked Master Ma to continue to buy the arhat bed placed in the cafeteria , not only satisfying my desire to acquire old objects, but also avoiding the occurrence of space-time paradox, which is already a very good result.
However, it is obviously not worth the loss to do so. Not only did it consume about [-]% of the human treasure energy, but these treasure energy cannot be absorbed from this bed of arhats embedded with all kinds of treasures, which is equivalent to exchanging [-]% of the human treasure energy for A bed of sea yellow treasures inlaid with arhats in the late Ming Dynasty.
This bed with a hundred treasures inlaid with arhats is certainly very precious, but to Yang Jing, this bed is obviously not as precious as the [-]% humanistic treasure.Not to mention that in the basement of the Hai Courtyard there is a Ming Dynasty bed made of lobular red sandalwood with a hundred treasures inlaid with arhats. That bed is much more precious than this one!
If the natural treasure is consumed, Yang Jing will never say anything else, after all, there is a way to replenish the natural treasure, but this humanistic treasure is much more precious than the natural treasure.
However, it took [-]% of the human treasure to prove such a half-established loophole, and also harvested a late Ming Dynasty bed with a hundred treasures inlaid with arhats. The quality of this bed is not one star and a half better than the one in the cafeteria. Generally speaking, it is not a loss.
Moreover, in this warehouse there is not only such a good-looking Baibao Embedded Arhat Bed, Yang Jing also found a pair of lobular red sandalwood chairs, four old Haihuang armchairs, and an old Haihuang Eight Immortals table, Yang Jing also found a complete set of twelve screens inlaid with eight immortals crossing the sea in a corner of the warehouse.
This discovery made Yang Jing's face almost happy.
In addition to the pair of small-leaf red sandalwood chairs and the Eight Immortals table made by Laohaihuang, whether it is the four Laohaihuang armchairs or the pair of red sandalwood cloisonné enamel Mingbao blue and a hundred treasures inlaid with the Eight Immortals crossing the sea twelve screens made by Emperor Qianlong of the Qing Dynasty , its value and preciousness are far beyond the comparison of that bed of arhats inlaid with hundreds of treasures.
Yang Jing remembers very clearly that in the 2015 auction of "Jinse Years - An Siyuan Private Collection" held by Christie's in New York, a set of four Ming Dynasty old sea yellow armchairs sold for nearly 970 million US dollars equivalent to national currency. The sky-high price of 6064 million.
Moreover, this style of armchairs is obviously different from other shapes of armchairs. First of all, these four armchairs have perfectly curved chair circles; secondly, they have unique and finely carved hook-shaped armrests; Carved in three sections.
And the four armchairs in front of me are no different from the four armchairs that fetched sky-high prices in terms of appearance and craftsmanship. Obviously, these four armchairs should be from the same period or even the same person as the four armchairs. hand.
The most important thing is that in the original time and space, there are only eight Ming Dynasty Laohai yellow armchairs of the same style in the whole world!The other four are in the hands of foreigners.
And these four armchairs can be said to be the only set of four armchairs found in China!
As for the set of red sandalwood cloisonné enamel sapphire blue ground with a hundred treasures inlaid with eight immortals crossing the sea and twelve screens made by the Qing Emperor Qianlong, its value is even more extraordinary!
Also in 2015, at an auction held by Yanjing Poly, an eight-screen screen made of red sandalwood, cloisonné enamel, blue ground, and flowers inlaid with four seasons and flowers collected by the French Normandy diplomat family in the Qing Dynasty was sold for 3075 yuan. The sky-high price of Wan Guocoin.
The Eight Immortals crossing the sea screen in front of me is obviously higher than the four seasons flower screen in terms of size and workmanship.This set of Eight Immortals Crossing the Sea screens has twelve screens, four screens more than the set of four seasons flower screens, and the height is also higher, at 2.2 meters.
Although the filigree enamel craft, that is, the cloisonne craft originated in the Yuan Dynasty in China and flourished in the Ming Dynasty, especially the Jingtai period, the filigree enamel craft in the Qianlong period of the Qing Dynasty reached the peak of this craft.
During the Qianlong period, the cloisonné enamel technique was applied in a very wide range, involving almost all aspects of daily life, among which screens are one of them.
This set of Eight Immortals Crossing the Sea screens is made of high-quality small-leaf red sandalwood for the frame, with a deep and quiet color and a mellow and mellow coating.The screen is five-wipe type, and each vertical material and horizontal frame form a frame and are embedded in the flower board.Such exquisite craftsmanship and materials, even in the Qianlong period, were none other than the royal family.
In fact, a large number of screens of this style appeared in the garden of Ningshou Palace, a place carefully designed by Emperor Qianlong for himself in his later years. It embodies Emperor Qianlong's personal taste and aesthetics, and is the literati and officials that Emperor Qianlong yearned for. The ideal of exquisite and elegant life and the spiritual sustenance of hope for longevity and happiness.
Its design and production also fully embody the concept of Emperor Qianlong's "three points belong to the craftsman and seven points to the master". The division of labor in various works, combining the efforts of all in one device, and breaking through the boundaries of objects, spreading the craftsmanship into the interior space, is a rare masterpiece.
It's just that this set of screens, which will definitely cause a sensation after 30 years, is placed in the warehouse like garbage and no one cares about it. If Yang Jing hadn't come here this time, this set of screens would still have those four armchairs, The Eight Immortals table and the two top chairs will probably be demolished.
Such precious furniture is placed here in such a mess, Yang Jing is lying if he says he doesn't feel sorry.
Yang Jing asked Director Wang beside him: "Director Wang, where did all these furniture come from?"
Director Wang said: "These furniture are the same as the bed in the cafeteria. They were pulled from outside when they were shabby. They have been here for almost 20 years. I remember that I just entered the factory at that time. How long have I been studying with my master, and these things have been brought in from the outside. At that time, my master touched these furniture and said that they are all good things, but I have never seen where they come from. Isn’t it just some huanghuali? What's good?"
After a pause, Director Wang continued: "A few years ago, someone came to my place and wanted to buy these four armchairs. I offered a price of 20 yuan a piece, but that person couldn't afford it. Cut it, 20 yuan Why don’t you buy it if you can’t get it out! Later, some people came to buy it, but I didn’t sell it. It’s better to dismantle these old furniture after selling them. Over the years, a lot of them have been dismantled one after another, and all of them are branded as new furniture. Sold it, and that's all that's left now."
These words made Yang Jing feel very distressed, and at the same time, he was completely speechless. It really is terrible to be uneducated.
But I don’t blame the factory manager Wang. Later generations are so crazy that Laohaihuang costs 1 yuan per kilogram. The current price is so cheap that people can’t help but say, at the end of the 70s, the price of Laohaihuang It's fifteen cents a kilogram, and even now, the price doesn't exceed thirty cents!
In the early 80s, this kind of old sea yellow armchairs cost 20 yuan each if they were in good condition, and someone sold them for [-] yuan if they were not in good condition!
If 30 years later, 20 yuan? 200 million can only let you touch!The price of such a chair is eight figures!
If 30 years later, the factory manager Wang knows that the old furniture he dismantled can be worth millions or even tens of millions if he takes out any piece of old furniture, I don’t know if he will have a myocardial infarction!
It's a pity that I came late. If I had come a few years earlier, I might have been able to save more old furniture that had been demolished.
"Director Wang, if I want to buy these old furniture, can you sell them to me? Well, I can buy them with dollars or foreign exchange certificates. I really like these antique furniture."
When Director Wang heard this, his face immediately beamed with joy. "Mr. Lynch, if you want these things, I call the shots, and you can take a thousand dollars! Of course, the best foreign exchange certificates."
Without further ado, Yang Jing nodded at Na Yong, and Na Yong quickly took out a thousand-dollar foreign exchange certificate and handed it over.
PS：鞠躬感谢“鲲鹏3357”600的打赏，“火云大师”200的打赏，“一只小猴”、“书友20170528081205184”100的打赏。
(End of this chapter)
"Host, please note that although I can guide most of the things for you, there are some unique things that I can't do anything about, such as things like the Jade Seal of the Kingdom. So when the host chooses old objects, once they appear For irreconcilable contradictions, I will still warn you, and I hope you will also pay attention to this!"
It seems that some things are still unacceptable, but at least this condition has been relaxed a lot.
As for the legendary things like Chuanguo Yuxi, hehe. Anyway, Yang Jing doesn't even dare to think about it now!
The loopholes in the speculation were not fully established. To be honest, this situation somewhat disappointed Yang Jing.
But it's relieved to think about it. The holy ring once said that although the original owner who made it lived in a globally unified environment, the owner must have thought of the issue of nationality, otherwise he would not A "territorial" rule appears. (PS: Chapter 192 has explanations about regionalism, so I won’t go into details here.)
Since there are even "regional" rules, it means that the original owner of the Holy Ring must have considered this issue, but it should be that the consideration is not perfect, so that there is a loophole that is not considered a loophole.
However, although this loophole has not been proved to be fully established, the current appearance is not a little bit stronger than before.
In the past, as long as there were old objects that might cause a space-time paradox, let alone acquisitions, Yang Jing would hide as far away as possible, and even spent a lot of experience to implement the big plan that he made before, and most of them It is all done by foreigners, and the fear is that it will cause a space-time paradox.
But now that he has become a foreigner, the possibility of the space-time paradox being triggered is greatly reduced.Although it is impossible to buy those old objects without any scruples, at least it can give myself a choice.
For example, this Baibao Embedded Arhat Bed.If it was before, it would be as far away as possible, this thing can definitely cause a space-time paradox.
But now, the holy ring only consumed a part of the energy, leading to another almost identical arhat bed inlaid with hundreds of treasures, so he bought this arhat bed himself, and asked Master Ma to continue to buy the arhat bed placed in the cafeteria , not only satisfying my desire to acquire old objects, but also avoiding the occurrence of space-time paradox, which is already a very good result.
However, it is obviously not worth the loss to do so. Not only did it consume about [-]% of the human treasure energy, but these treasure energy cannot be absorbed from this bed of arhats embedded with all kinds of treasures, which is equivalent to exchanging [-]% of the human treasure energy for A bed of sea yellow treasures inlaid with arhats in the late Ming Dynasty.
This bed with a hundred treasures inlaid with arhats is certainly very precious, but to Yang Jing, this bed is obviously not as precious as the [-]% humanistic treasure.Not to mention that in the basement of the Hai Courtyard there is a Ming Dynasty bed made of lobular red sandalwood with a hundred treasures inlaid with arhats. That bed is much more precious than this one!
If the natural treasure is consumed, Yang Jing will never say anything else, after all, there is a way to replenish the natural treasure, but this humanistic treasure is much more precious than the natural treasure.
However, it took [-]% of the human treasure to prove such a half-established loophole, and also harvested a late Ming Dynasty bed with a hundred treasures inlaid with arhats. The quality of this bed is not one star and a half better than the one in the cafeteria. Generally speaking, it is not a loss.
Moreover, in this warehouse there is not only such a good-looking Baibao Embedded Arhat Bed, Yang Jing also found a pair of lobular red sandalwood chairs, four old Haihuang armchairs, and an old Haihuang Eight Immortals table, Yang Jing also found a complete set of twelve screens inlaid with eight immortals crossing the sea in a corner of the warehouse.
This discovery made Yang Jing's face almost happy.
In addition to the pair of small-leaf red sandalwood chairs and the Eight Immortals table made by Laohaihuang, whether it is the four Laohaihuang armchairs or the pair of red sandalwood cloisonné enamel Mingbao blue and a hundred treasures inlaid with the Eight Immortals crossing the sea twelve screens made by Emperor Qianlong of the Qing Dynasty , its value and preciousness are far beyond the comparison of that bed of arhats inlaid with hundreds of treasures.
Yang Jing remembers very clearly that in the 2015 auction of "Jinse Years - An Siyuan Private Collection" held by Christie's in New York, a set of four Ming Dynasty old sea yellow armchairs sold for nearly 970 million US dollars equivalent to national currency. The sky-high price of 6064 million.
Moreover, this style of armchairs is obviously different from other shapes of armchairs. First of all, these four armchairs have perfectly curved chair circles; secondly, they have unique and finely carved hook-shaped armrests; Carved in three sections.
And the four armchairs in front of me are no different from the four armchairs that fetched sky-high prices in terms of appearance and craftsmanship. Obviously, these four armchairs should be from the same period or even the same person as the four armchairs. hand.
The most important thing is that in the original time and space, there are only eight Ming Dynasty Laohai yellow armchairs of the same style in the whole world!The other four are in the hands of foreigners.
And these four armchairs can be said to be the only set of four armchairs found in China!
As for the set of red sandalwood cloisonné enamel sapphire blue ground with a hundred treasures inlaid with eight immortals crossing the sea and twelve screens made by the Qing Emperor Qianlong, its value is even more extraordinary!
Also in 2015, at an auction held by Yanjing Poly, an eight-screen screen made of red sandalwood, cloisonné enamel, blue ground, and flowers inlaid with four seasons and flowers collected by the French Normandy diplomat family in the Qing Dynasty was sold for 3075 yuan. The sky-high price of Wan Guocoin.
The Eight Immortals crossing the sea screen in front of me is obviously higher than the four seasons flower screen in terms of size and workmanship.This set of Eight Immortals Crossing the Sea screens has twelve screens, four screens more than the set of four seasons flower screens, and the height is also higher, at 2.2 meters.
Although the filigree enamel craft, that is, the cloisonne craft originated in the Yuan Dynasty in China and flourished in the Ming Dynasty, especially the Jingtai period, the filigree enamel craft in the Qianlong period of the Qing Dynasty reached the peak of this craft.
During the Qianlong period, the cloisonné enamel technique was applied in a very wide range, involving almost all aspects of daily life, among which screens are one of them.
This set of Eight Immortals Crossing the Sea screens is made of high-quality small-leaf red sandalwood for the frame, with a deep and quiet color and a mellow and mellow coating.The screen is five-wipe type, and each vertical material and horizontal frame form a frame and are embedded in the flower board.Such exquisite craftsmanship and materials, even in the Qianlong period, were none other than the royal family.
In fact, a large number of screens of this style appeared in the garden of Ningshou Palace, a place carefully designed by Emperor Qianlong for himself in his later years. It embodies Emperor Qianlong's personal taste and aesthetics, and is the literati and officials that Emperor Qianlong yearned for. The ideal of exquisite and elegant life and the spiritual sustenance of hope for longevity and happiness.
Its design and production also fully embody the concept of Emperor Qianlong's "three points belong to the craftsman and seven points to the master". The division of labor in various works, combining the efforts of all in one device, and breaking through the boundaries of objects, spreading the craftsmanship into the interior space, is a rare masterpiece.
It's just that this set of screens, which will definitely cause a sensation after 30 years, is placed in the warehouse like garbage and no one cares about it. If Yang Jing hadn't come here this time, this set of screens would still have those four armchairs, The Eight Immortals table and the two top chairs will probably be demolished.
Such precious furniture is placed here in such a mess, Yang Jing is lying if he says he doesn't feel sorry.
Yang Jing asked Director Wang beside him: "Director Wang, where did all these furniture come from?"
Director Wang said: "These furniture are the same as the bed in the cafeteria. They were pulled from outside when they were shabby. They have been here for almost 20 years. I remember that I just entered the factory at that time. How long have I been studying with my master, and these things have been brought in from the outside. At that time, my master touched these furniture and said that they are all good things, but I have never seen where they come from. Isn’t it just some huanghuali? What's good?"
After a pause, Director Wang continued: "A few years ago, someone came to my place and wanted to buy these four armchairs. I offered a price of 20 yuan a piece, but that person couldn't afford it. Cut it, 20 yuan Why don’t you buy it if you can’t get it out! Later, some people came to buy it, but I didn’t sell it. It’s better to dismantle these old furniture after selling them. Over the years, a lot of them have been dismantled one after another, and all of them are branded as new furniture. Sold it, and that's all that's left now."
These words made Yang Jing feel very distressed, and at the same time, he was completely speechless. It really is terrible to be uneducated.
But I don’t blame the factory manager Wang. Later generations are so crazy that Laohaihuang costs 1 yuan per kilogram. The current price is so cheap that people can’t help but say, at the end of the 70s, the price of Laohaihuang It's fifteen cents a kilogram, and even now, the price doesn't exceed thirty cents!
In the early 80s, this kind of old sea yellow armchairs cost 20 yuan each if they were in good condition, and someone sold them for [-] yuan if they were not in good condition!
If 30 years later, 20 yuan? 200 million can only let you touch!The price of such a chair is eight figures!
If 30 years later, the factory manager Wang knows that the old furniture he dismantled can be worth millions or even tens of millions if he takes out any piece of old furniture, I don’t know if he will have a myocardial infarction!
It's a pity that I came late. If I had come a few years earlier, I might have been able to save more old furniture that had been demolished.
"Director Wang, if I want to buy these old furniture, can you sell them to me? Well, I can buy them with dollars or foreign exchange certificates. I really like these antique furniture."
When Director Wang heard this, his face immediately beamed with joy. "Mr. Lynch, if you want these things, I call the shots, and you can take a thousand dollars! Of course, the best foreign exchange certificates."
Without further ado, Yang Jing nodded at Na Yong, and Na Yong quickly took out a thousand-dollar foreign exchange certificate and handed it over.
PS：鞠躬感谢“鲲鹏3357”600的打赏，“火云大师”200的打赏，“一只小猴”、“书友20170528081205184”100的打赏。
(End of this chapter)
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