制霸好莱坞

The film concluded with a captivating performance by Roxy and Velma, and the audience at the premiere erupted into enthusiastic applause. While reactions varied, the consensus among most viewers was that it was a well-executed film. The sound and lighting effects, the pacing of the plot, and the actors' performances were all strong. It was a musical with a complex storyline, yet everything was explained clearly. For casual viewers, the film was a delight, while professionals marveled at the intricate editing and cinematography that enhanced the storytelling. Rob had managed to create a technically sophisticated film without hindering the viewing experience, a feat that surprised many in the industry. His performance as a newcomer director had earned him both admiration and envy, and there was little doubt that Chicago would be a major contender during the award season. With Harvey Weinstein's masterful maneuvering, it seemed destined to be a bumper year for Miramax.

After the screening, the director took the stage to speak. As Rob approached the front, the audience spontaneously gave him a standing ovation, making him beam with pride.

"It's not easy to make a film like this," Rob began, his voice sincere. "But from Harvey to Catherine, Renee, Richard, and the entire crew, everyone supported me and gave me the strength I needed. I know I can be... difficult at times," he chuckled.

Laughter rippled through the crew, and Catherine shouted, "We love you, Rob!"

"Thank you," Rob said, pulling Catherine, Renee, and Richard to the front. Harvey, however, declined to join them on stage. The three main actors embraced Rob warmly, signaling that any tensions during the filming process had been put behind them. The initial doubts some had about Rob, and his concerns at the time, seemed like distant memories, replaced by genuine camaraderie.

As the applause died down, the premiere came to a close, and the audience slowly dispersed. A few independent critics made their way out early. In Hollywood, film critics often maintain a subtle separation from the industry to preserve their independence, which is why many refrain from attending the after-parties or accepting gifts from producers.

Roger Ebert, however, was a different case. As a renowned film critic with his own TV show, his connections within the industry ran deeper. Despite his ongoing health struggles, he was in high spirits that evening. He and his partner, Richard De Rope, a columnist for the Chicago Sun-Times, attended the premiere party. Such a high-profile critic naturally received special treatment. Even Harvey Weinstein made a point of greeting Roger with a glass of wine, understanding the importance of positive reviews for Chicago, a film on the fast track for awards.

"Roger," Harvey greeted him warmly.

"Harvey," Roger replied, and the two shared a brief hug before Harvey stepped aside to avoid Roger's sensitivity to smoke.

"So, what do you think?" Harvey asked eagerly.

"I think Miramax could even turn a profit at the box office with this one," Roger responded, not holding back his praise, which delighted Harvey.

The timing of Chicago's release, just two days before the Oscars' registration deadline, was clearly calculated to position the film for awards season. Miramax was known for its ability to operate in the awards space, prioritizing long-term profit through rights sales over immediate box office returns. Unlike typical commercial blockbusters, which aimed for massive box office profits, films like Chicago took a more nuanced approach—investing in art films and biopics that generated smaller returns but were more likely to secure critical acclaim and long-term value through awards.

Miramax often invested in a slate of films, knowing that even if several didn't succeed, one major hit could make it all worthwhile. It was a strategy of risk diversification. Even if the films didn't all make back their production costs, the eventual profits from rights sales and successful awards campaigns made the approach profitable. In contrast, investing $100 million in a commercial film was a much riskier endeavor.

Roger, ever astute, recognized the potential. "If the box office can exceed expectations, Miramax will have less pressure and more room for promotions," he said. "And with the Oscar win, Chicago will be a major success."

"Your words may be worth millions of dollars," Harvey chuckled, growing more confident in the film's prospects.

"Chicago is indeed a gem," Roger agreed. "But bringing a musical to the big screen is no easy feat. You've really outdone yourself with Rob. You found the right man for the job."

Harvey nodded, proud of his decision. "Rob is the key to the entire plan," he said. "Of course, Catherine and Renee were excellent too, but picking Renee was a bit of a gamble. Her acting is solid, but her singing and dancing skills were a concern. If Rob hadn't believed in her, I might not have taken the risk."

Roger smiled knowingly. "It seems everyone shares the same artistic vision. You discovered Rob, and Rob discovered Jennifer Jefferson."

Harvey's eyes flicked to a corner of the room, where Jennifer Jefferson, shining with her blonde hair, was mingling with guests. "She's impressive," Harvey admitted. "But she's busy filming Pirates of the Caribbean. If she weren't, I'd consider bringing her along for the Chicago promotion."

Roger raised his glass. "So, you're planning on taking her to the Oscars?"

Harvey laughed. "Who knows? But she's certainly someone to watch."

The two shared a laugh, but Roger couldn't shake the feeling that Harvey's reaction to Jennifer's potential was colder than expected. He recognized her talent immediately and wondered why Harvey seemed so hesitant.

Later that evening, Roger learned from Richard that there was some underlying tension. "Jennifer's team has angered Renee's team," Richard explained. "The publicity over the 'Roxie' role has overshadowed Renee's performance. Harvey has to play the long game and maximize his profits. If Renee wins the Oscar, Cold Mountain and Bridget Jones 2 will also benefit. But right now, it's uncertain."

Roger wasn't surprised—conflicts of interest were common in Hollywood. Still, he found himself intrigued. "So, you're on Jennifer's side in this 'Roxie' dispute?" he asked Richard.

Richard shrugged. "I haven't made up my mind yet, but Jennifer's performance definitely stole the show. I'll reserve judgment for the full Roxie performance, but Broadway colleagues are already backing her."

Roger nodded thoughtfully. "Let's see how things unfold. The buzz will only grow stronger once Chicago is released. But for now, we'll have to wait for Jennifer's full Broadway performance to judge."

As they discussed the growing excitement surrounding Jennifer Jefferson, Roger was reminded once again that in Hollywood, perception often outweighed reality. And with the press already fixated on the Roxie dispute, it seemed that the conversation surrounding Chicago was far from over.